Easy Drawing

How To Draw a Realistic Eye From the Side Step by Step

The easy step-by-step drawing instructions below.

How to Draw Asian Eyes Step by Step || Realistic Eye Drawing

Step 1: Draw eyeballs

Make a sketch or draw a eyeball-shaped circle. It doesn’t need to be perfect as we’ll use it only in the process of building our eyes and then take it off completely. In case you were wondering, my circle is 6cm in diameter.

Step 2. Draw the cornea.

Create a tiny bump or cornea in the direction you wish your eye to look. I’d like to see on the right, so I’ll draw my cornea to the right. Regarding size your cornea’s length is about half the size that the eyes have (or its radius).

Step 3: Draw Iris and Pupil

Then draw the iris by making a tangent between the lower and upper areas of your cornea. Make sure that the work you are doing isn’t too heavy to alter the shape easily.Remove the portion of the eyeball, which travels through the iris or cornea. After that, within the eye, draw a small oval to represent the pupil.

4. Draw your eyelids

Then, trace the lids. Beginning in the middle of your eyeball, gently draw a curving line for your upper lid. It may partially cover your iris , or expose it completely. Then, cover the eyelid with the other side of the eyeball.
In order to draw your lid’s lower part, make an arch where the eyelids intersect and then move the eyelids towards the eyelids’ bottom.
A typical example of a drooping eye (the the iris is exposed more in the lower part of the eye as opposed to the upper. When the eyes are opened, our iris is more exposed to the bottom but not over.) Therefore, if you’re trying to draw a slender eye, bear in mind: Now go forward! Just above the eyelid’s upper part Draw the eyelid crease.
The eyelid’s shape to guide to draw your crease using the most unique form. Join the pencil stroke to your upper lash line with an arc of slight curvature.
For the final flap I’m drawing a nearly straight line downwards, however you are able to tilt it outwards or towards the back if you’d like. You can draw wrinkles on around the edges of your eyes, or near the top of your eyes if you would like. A good example of an eye that protrudes.
Tip: If you place the skin of your eyelids closely around the eyeball, you could create a bulging eyes effect When you’re done, erase the circle guide as well as the areas of the iris that are out of view.

Step 5: Placement of the eyebrows

Let’s determine which eyebrows to place. From left to right, lines: tail the arch, the the top of the eyebrows.
Draw a thin line near the edge of your eyes, a different line that is drawn from the edges of your cornea and finally an oblique line that is away from the eye like the picture above.
They’re used to cover the arch, tail, and the brow’s tips. Eyebrows can be found in all kinds of shapes and sizes So don’t stress over this area. They’re just basic guidelines.
Now that we have three guides that it is possible to draw eyebrows with more ease and use them as rough boundaries or paths. It is possible to draw your eyebrows higher or lower than mine, if that’s what you want and draw as long as you like.
Make sure your pencil strokes are light to ensure that your outline doesn’t be visible later. This could detract from the real-world effect we’re hoping for. If you’re happy with the shape of your eyebrows then you can remove the 3 guidelines above. The eyebrows will be added in the future!

Step 6: Draw Highlight / Reflection

Let’s include some highlights to the eyes. Highlights are among the brightest parts in the design. They can be a result of an adjacent window or lighting source.
Here are some examples of forms: These shapes are all curved due to the fact that the eyeball curves and a rectangular window could, for instance, appear like the shape of a C shape.
You can design your own patterns and spread them across the eyeball to cover the entire or a portion of the area as you’d would like. If you wish, you may create obstacles to the focal point like the silhouette of a figure standing in front of a window or a curtain.
You could even draw a gradient on your highlights to demonstrate the different in intensity of light. Once you have drawn your highlights erase the lines that cross the highlights, then clean them. I use my kneaded eraser to do this by rolling the edge until it’s pointed, and then graphite it off.
Here’s a close-up of the image Then you can smooth your eraser so that you can draw at an angle: When drawing Try to keep your highlights as neat as you can so that they shine out and be noticed.

7. Shade the students

Time for some shade! Let’s begin with the pupil. Shade it extremely dark, as the pupil is in fact a gap within the eye.

Step 8: Shade the Iris

Then, we’ll color the eyes. Be cautious around the highlights since we’d like to ensure that their edges are clear. The shadow can be made as dark or light as you wish, without making the pupil darker.
I suggest blending the iris first with a paper cloth or even a blending stump, for instance, in order to give it a more smooth look before proceeding to the next step. Or, you could not blend in case you prefer.
I put my entire drawing together in the final drawing to make the Youtube video to a minimum. But I strongly suggest blending throughout the process because it’s simpler that way, and you’ll avoid spreading your work.

I shade the lighter values and blend it. Then I add shadows. I try to blend the shadows only so as not to rub the darker graphite onto light areas. Finally, I add the details. If I have to blend after the details are put in, I will blend the details around them, making sure that I don’t blur my work or scratch my work on detail.
My imagined light source is located at the top right. Therefore, I’m making the top portion of my iris dark as the shape of the iris is receding which means that the top part of the iris actually faces away from the lightsource, while the lower half of the iris is facing towards the light source.
As I move upwards, I use less pressure and less pressure in order to achieve an upward gradient as the concave iris shape begins to curve or curve towards the light.
Alternately, you can make the top portion of the iris further to make a shadow on the eyelid.
What I prefer to do is to make the outline of the iris darker than the body of the iris to give more contrast however, that’s your choice.
The highlight in the middle is too intense for me So I’m going to create a subtler effect by applying a gradient to the highlight, creating it darker towards the bottom and brighter towards the top as my example demonstrated earlier:
When you’ve finished shading your iris, be sure your outline for each of the highlights is gone. If it’s still visible it, you may have erase it slightly or color the surrounding region a bit darker to ensure it blends into or disappears.
That’s the easy and fast method of shading the Iris. If you’d like to know more it is possible to apply the steps below…

9. Step 10: A more specific version of Iris

This is not required and to make the look of the iris more intriguing, you could include small details such as lines that extend outwards away from your center. Utilize your pencil and eraser in drawing the lines.
If you’d like for straight lines to be drawn, flatten the eraser you kneaded, and then push and raise the pencil up or apply a gentle rub. If you bend your lines towards the pupil (the opening in the iris) this can help make the look of the iris appear more realistic.
Try to space or angle your lines out randomly and alter the thickness of the lines to make them appear more natural. A blurred line. You could make use of a kneading eraser as well as a straight eraser to do this. Drawing doodle shapes instead , if you prefer.
This illustration is drawn using the same iris however I’d suggest picking only one style, or combining both. A pencil will work also, just ensure that it’s pointed correctly. You could cut the eraser to get it the sharpness you want. It is also useful to cover squares.
Use a pencil to make the gaps darker between your squares in order to give them more depth as well as contrast. The lines and squares make up the part that is the iris which means we’ll need to shade them in the same way as the way you shaded your iris prior to adding the squares. Remember how we shaded the top portion of the part of the iris? It’s the same however this time lighter.
Also, shade the outer edge of your pupil if you wish for the pupil to appear more pronounced. In any case, this is the more detailed version of the pupil. Of course, you can go with the basic version.

Step 10 Step 10: Blur the whites of the eyes.

Cleanse the eyes’ whites. They’re referred to as eye whites, however they’re not really white Don’t be frightened to tint them.
Return to the source of light (mine is on the right) The eyeball will be shaded brightest when it faces the light source and darker when it is facing the light.
For a very smooth shading make sure to keep your pencil strokes in close proximity to minimize gaps. Paint both sides of your whites eyes. Then, we’ll shade your top as well as the bottom portion of your eye’s whites. We shaded the top as the eyelid was protruding and casting a shadow below it. The lower part because the eyeball was bending off from light sources, creating the illusion of shadow.
As we’re here I’ll simply draw a shadow around the border of the iris to soften the edges. It’s possible to blend your eyeballs prior to proceeding onto the next stage…
It is possible to add veins into the eyeballs simply by sharpening a pencil before drawing the veins slowly.

Step 11. Darken the remainder of the skin

Let’s color the remainder of the skin then move on to the eyelashes.
Beginning at the crease of the eyelid I’ll lighten my shade when I remove my eyes from the crease (when the skin curvatures to sunlight).
Tips: If your outline remains visible after shading your eyes, you can try lightening the shadows or darken them until the outline is gone.
To shade the brows For shading the brow, I’ll go back to the source of light on the right side and identify which areas of the skin face the light directly and which ones face it.
It’s because I’m making the right portion of my eyebrow more light than the left, because it’s directly in front of the lighting.
It is possible to color the brow area, but you must draw out the brow shape that you prefer.

Step 12: Darken the remainder of the skin

Let’s apply the paint to the remainder of the skin, then we’ll work on the eyelashes. Starting from the crease of the eyelid I’ll lighten the shade when I get away from it (when the skin turns and curves towards the lighter).
TIP: If the outline remains visible after you have shaded your eyes, you can try lightening them or darken the shadows until the outline is gone.
To shade the brow region For shading the brow, I’ll go back to the source of light on the top right , and then determine which skin areas are exposed to the light directly and which ones face it.
I’m making the right portion of my eyebrow more light than the left, because it’s directly in front of the bright light. It is possible to tint the brows, but you must draw out the brow shape that you prefer.

Step 13: Make eyelashes.

Okay, we’re ready to join in. Before we apply the hair we want, would suggest you mix your shadow mode because it’s going to be difficult to blend the various hairs.
For drawing eyelashes we must sharpen the pencil. I’m working with a manual pencil, so it’s quite sharp. You can practice drawing your lashes until your strokes are pretty constant. The eyelashes can be curlier or less. Make sure the ends of your lashes are tapered.
It is possible to use strobe motion to create this effect. If you’re having a difficult to draw smooth curves, turning your sketchbook may aid. Start with the top of the eyelid, and create eyelashes that extend from the bottom.
TIP: Don’t draw too many lashes which are parallel to one another. If you draw them together you will get eyelashes that appear more natural and less patterned. There are a variety of ways in order to create lashes that appear more distinctive and random. Like changing length, distance or even the amount of curvatures.
Continue to do this until you get to an eye’s corner. The lashes that are located close to the corners of the eye tend to be shorter and thinner and appear lighter in colour. Do not forget to add eyelashes on the other (distant) part of your eyelid. Moving to the cap on the bottom, apply the lashes along the ridge we made earlier. (Put them in a random pattern of zig-zags).
I like drawing the lashes a little larger and shorter than the upper lashes. It is possible to paint them more light than I do if desire a less sombre style.
Also, stay clear of obvious stereotypes. You can draw your own lashes and join them at the ends, or even cross them. You can also alter the spacing, length and the thickness that your hair is. Be sure to draw the hairs on the opposite (distant) facet of your eyelid. 

Step 14: Draw eyebrows

When you’re satisfied with your results, you can begin working on your brows. The hair growth pattern can be unclear, but let’s examine the pattern. It is possible to draw a line across the eyebrow to divide it into two distinct areas. I made a line that ran starting from the top left to the leftmost. This line will differ for each person due to the fact that there are numerous brow types. Zone 1 (bottom portion) we pull the hairs up. And later, when we apply the left side, they be directed towards the tail of our eyebrows. The zone 2 (top section) the hairs are mostly directed downwards towards the back of the eyebrow. If the hairs of the two areas intersect I prefer to tape them together rather than connecting them. However, you’re free to choose to do what you like. Draw a line between the eyebrows to divide two areas. Now, let’s create a blurred line through our eyebrows in order to distinguish the two zones using small, unconnected pencil strokes, as we do not want the line emerge at the final. Next, using light strokes, draw roughly the hairs of zone 1 and stay within the line. When you move toward the left you can curl and angle the hairs until they’re pointing more towards at the end of your eyebrows. The process will be completed in a moment but it doesn’t have the perfect look. Draw a few tiny hairs on zone 2 without cutting across zone 1. I’ll gently blend the brows with regular tissues wrapped between my fingertips. Blending from left to right basically in the direction of generalization that all hairs are facing one another.

Step 15: Wipe your eyes

To stop the eyes from becoming watery, we can place water to the lower part portion of the eyeball. Pick up your pointed or solid eraser and flatten it, then erase a small area around the eyeball, at the point where it touches that lower portion of the lid. If the water does not look good, try shading some of it. A contrast (increased) will bring it out. You can also make use of the pencil with a white color or a correction liquid to add the bright white value.

Step 16 Step 16: Blend your eye drawings

If your drawings have been blended during the lesson or aren’t looking to blend it, you are free to skim the section on how to make your drawings stand out. Make sure your shadow appears as smooth as it can be.
Now, prior to blending, we must ensure that the shadows look as seamless as is possible This means that we need to ensure there aren’t any gap between strokes. Also, any areas that speckling occur are minimized to the highest level possible.
After mixing, and before mixing with a paper towel , and then mix the stump. Blend one side of your eye at a moment with an unclean blending stump Tissue paper or pointed tip or a fine-bristled brush (whatever you prefer). I prefer to blend highlights into shadows, so that I don’t get undesirable streaks. For large parts of the drawing I tied the paper around my fingers and stroked it lightly from the lighter to the darkest regions. Blend as much as you can until the drawing appears smooth and beautiful.
Be careful when you blend specific details around your work, like eyelashes or eyebrows, making sure you don’t to blur or smear them. Blending tools with a pointed tip such as a blend stump can work well for getting into tight spacesand blend precisely the way you’d like it to. You can also make use of a folded tissueto carefully blend around the lashes using the blending tool with a pointed tip (I utilized an oversized facial tissue). When you blend, keep in mind every lash’s direction making sure not to scratch the lashes. If you’re making use of paper towel and you have an untidy area you must get to make your tissue fold in smaller layers, which will make it tighteror can blend the area using the help of a pencil. The pencil is sharpened and can be used to fill with spots of white or grooves that are on the paper’s surface. If the paper becomes too filthy, you can fold it with a clean area or simply rotate it to an area that is cleaner.
Tip: You can take out excess graphite with a gentle gouache eraser that is kneaded (learn how to create an eraser by clicking here). Here’s the method I used to remove the areas that were flecked to make the drawing appear more smooth. The areas that aren’t filled with enough graphite can be filled in using an unclean blend tool (which blends the drawing simultaneously).
Okay, note! We’ve covered this before however if you have a visible border on the cornea but you’re unable to take it off because it looks odd without it however, you can blend it in through shading the outside to obscure the contour. The border of the cornea will no longer be evident because it has blended with the background.

Step 17: Make your drawings stand out

If the drawing isn’t standing out sufficiently, take the time to clean off the brightest portions of each highlight. You can also apply a white gel pen or correction liquid to make the highlights appear bright white.
It is also possible to shade the darkest parts of your drawing to make them more dark. You can also add more details to the iris to draw it out more than the image I presented previously (In the section titled “More detailed version of the iris”).
Also, I followed my own and blended to create a smoother drawing.

Masood Baloch

Published by
Masood Baloch

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